Drive Shot list

We made this shot list to help us storyboard and film the remake to get the same angles and cut our clips to the right lengths.

 

0:01-0:09

Establishing shot

0:10-0:22

Low angle

0:23-0:40

Over the shoulder shot

0:41-0:49

Over the shoulder

0:50-1:00

Close

1:01-1:14

Panning Establishing shot

1:15-1:20

Close up

1:21-1:25

Long shot

1:26-1:30

Over the shoulder shot

1:31-1:34

Long shot from point of view

1:35-1:39

Long shot

1:40-1:48

Tracking

1:49-2:01

Panning Mid shot

2:02-2:22

Long shot tracking

  

2:23-2:34

Over the shoulder

Harvey Andrew

Drive Story Board

This storyboard will help us to film the remake of this opening and remind us exactly what camera angles and scenes we need to do.

Joseph Moss

Drive Timeline – Opening Titles

Here is the timeline for the titles in the Drive opening so that we can remake it accurately.

 



0.05 – Ryan Gosling

0.15 – Drive

0.25 – Carey Mulligan

0.29 – Bryan Cranston

0.33 – Christiana Hendricks

0.37 – Ron Pearlman

0.42 – with Oscar Isaac

0.46 – and Albert Brooks

0.52 – casting by Mindy Marin, C.S.A

0.56 – costume design Erin Benach

1.01 – music by Cliff Martines

1.06 – production design Beth Mickle

1.11 – edited by Mat Newman

1.16 – director of photography Newton Thomas Sisel, A.S.C

1.40 – executive producers Bill Lisclak, Linda McDonough, Peter Schlessel

1.45 – executive producers David Lancaster, Gary Michael Walters, Jeffrey Scott

2.02 – produced by Marc Platt, Adam Siesel, John Palesma

2.07 – produced by Gisi Pritsken, Michel Litvak

2.13 – based on the book by James Sallis

2.18 - screenplay by Hassien Amim

2.25 – directed by Nicolas Winding Reln

Posted by Joseph Moss

Why We Chose To Remake Drive

We chose Drive for the remake of a film as a result of its effective use of text placement and the theme it illustrates with the usage of sound and mise-en -scene. The low key lighting used within the opening is emphasises the placement in Los Angeles and creates the atmosphere of where the film is based in. This will help us with our film opening in regards to how we will set the theme of our opening and how to make use of sound and mise effectively. We also chose Drive for its elements of the neo-noir genre in which our narrative also fits into which shows a good example as to how we should set the theme to our film in and how to make use of these features. Finally, I think the opening is of a reasonable size close to the 2 minutes limit in which our opening will be running for which means the opening can be used as a clear comparison to the drive opening.

 Kieran Belshaw

Drive Film opening

We are doing the Drive film opening we chose this as a group because we thought it would help us with setting the theme of a film opening. This could later help us when we come to make our own film opening and we can have some Idea of how we could make an effective opening. We also thought that this would be challenging to make because none of the group can drive so we needed to get an actor in the can drive and this could help us on our directing of an actor so when it comes to our movie opening we will know how to take advantage over the actor to get the best performance to fit with our piece. We also thought as a group that it would help us get use to camera angles that correspond to the lighting in a scene.

Harvey Andrew

Bear Productions Members

 

Name: Harvey Andrew     Candidate Number: 1102

Name: Kieran Belshaw     Candidate Number: 1109

Name: Joseph Moss    Candidate Number: 1241